Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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eisabeth Vige-Lebrun
Portrait de Marie Adrienne Potain

ID: 80840

eisabeth Vige-Lebrun Portrait de Marie Adrienne Potain
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eisabeth Vige-Lebrun Portrait de Marie Adrienne Potain


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eisabeth Vige-Lebrun

(Marie Élisabeth Louise; 16 April 1755 - 30 March 1842) was a French painter, and is recognized as the most famous female painter of the 18th century. Her style is generally considered Rococo and shows interest in the subject of neoclassical painting. Vigee Le Brun cannot be considered a pure Neoclassist, however, in that she creates mostly portraits in Neoclassical dress rather than the History painting. In her choice of color and style while serving as the portrait painter to Marie Antoinette, Vigee   Related Paintings of eisabeth Vige-Lebrun :. | Portrait of Pelagie Sapiezyna nee Potocka | Portrait of Marie Charlotte Bontemps | Louis XVII | Reymond | Portrait of Maria Teresa of Naples and Sicily |
Related Artists:
Wasily Kandinsky
1866-1944 Lyrical Abstraction Der Blaue Reiter Russian
Constantijn Netscher
painted Portrait de la princesse Palatine in 1700
Sir Thomas Lawrence
1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.






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